Branding guidelines

The 3D studio is a cozy voxel-style 1990s space with Baku time and current forecast conditions. Teal screen light, red practical lighting, wood, steel, and beige hardware are room-specific exceptions. Contextual sheets use the shared rounded shapes and readable sans-serif typography.

Drawer and camera animations explain interaction. Max and cat idle motion runs only while the room is visible. Reduced motion, keyboard navigation, and an accessible area directory remain available.

Red neon, a lava lamp and geometric pendants light the darker room. Max uses the selected Meshy character, preserving its glasses, black beard, jacket, white shirt and sneakers, with an articulated skeleton for animation. The HUD uses Inter, Lucide icons and dark tonal controls. Physical paper and the retro desktop preserve their own material styling.

The left-wall whiteboard supports drawing, erasing and movable magnets. Reduced motion removes spring oscillation and magnet drift. Pale teal light illuminates the selected zone; custom pixel cursors distinguish looking, selecting and drawing. Ink is kept only for the visit.

The archive uses readable plates and eight named folders per page. Hover or keyboard focus lifts a folder; selection carries it to the desk and opens it. The paper dossier is a room-only material exception, using canonical CV and project content. Returning a file closes and refiles it. Reduced motion makes these transitions immediate.

The expanded lounge adds a sofa, rug, coffee table, record shelves, plants and a warm floor lamp. The physical CRT shows a random muted Azerbaijani public stream from IPTV-org, retaining its local animated channel if the feed fails. Its remote controls power, channels, the fan and an optional LIVE TV player. The live player refreshes a small selection of public HTTPS HLS feeds and provides recovery when a feed is unavailable. Reduced motion freezes broadcasts, fan and foliage. Warmer fill light keeps the rear corners readable while the work area retains its red-and-teal atmosphere.

The rear wall and its two wooden ledges hold ten individually selectable certificate and education records. Supplied issuer artwork and the actual Python certificate stay recognizable; university records explicitly state degree not completed. A readable index supports keyboard, touch and no-WebGL access. The right-hand bookcase retains its books.

Two deeper drawers separate Development Experience and Marketing Experience. Four A4 project posters occupy the board above them. Supplied project artwork is adapted with image_gen, with exact titles typeset separately; project colors are confined to the prints. Picking a poster floats and enlarges it toward the viewer. Escape reverses pickup or returns it to its pin. Reduced motion, keyboard, touch and no-WebGL access preserve the same content.

Compact navigation leads directly to Work, Experience, Meet Max and Contact. The directory groups professional records and life in the studio. Closing a reader keeps its object in view; Back or Escape restores the previous view and its controls. Camera travel settles smoothly, reduced motion is respected, and touch screens start with crisp rendering.

Career folders carry individual company identities across their covers, tabs and reading sheets. Freelance is black/red/blue, Golem Workers blue/white, Havas red/white and AmberCore black/yellow. Freelance and Golem Workers sit at the front of Development Experience. Other available company palettes are sourced from their websites; unverified older identities use neutral, named personal records. Company colours stay inside the records, preserving the studio interface.

The studio cat is a chubby orange tabby with a solid beveled head, cream cheeks, ginger stripes and green-yellow eyes. Head, ears and facial features move together. Its warm fur and eye colours are limited to the cat; petting, tail and paw animations respect reduced motion.

A cartridge console and two wired controllers sit beneath the CRT. Teal P1 and red P2 accents identify players alongside printed labels. Each controller opens the locally hosted Mortal Kombat 3 fighter-selection demo, with touch controls, sound opt-in and Escape to return. Game art stays inside its own screen; the surrounding controls use the Studio system.